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Jackets

Bill Cunningham via Wrong Side of the Camera

There’s few men more respected in this industry than Bill Cunningham, and while I could go on for days about what the illustrious New York Times photographer has done for this industry, today I want to focus on one small attribute that I have always admired about Cunningham.  As he races around the city each day shooting street style, lead only by his eye and his enviable sense of what’s worth documenting, Cunningham has always kept his own wardrobe incredibly simple.  Cunningham’s remarkably stripped down wardrobe consists of nothing but khakis, a button up, and his now legendary French workwear jacket.  It’s been said that Cunningham buys his jackets at French hardware stores for dirt cheap, and while I’m not sure if they could still be found there, the story does check out, as the jackets really did begin as nothing more than inexpensive smocks for the working class.

The jackets first came about during the nineteenth century, and their distinctive blue hue was actually chosen out of mere necessity.  During that period, indigo was an incredibly cheap dye, and for the working class it was just dark enough to cover up any stains that would occur throughout their day.  The design itself was, and still is, loose and unstructured with numerous pockets across the front to stash whatever may be needed for a given job.

Over time what began as a practical top layer for the French worker became fashionable, partly due to Cunningham, but also largely thanks to the recent Japanese and American interest in workwear.  Deadstock, and even faded out blue French worker’s jackets have became more desirable than anyone could have ever predicted.  Stores in Japan now sell the jackets alongside classic Barbours, Levis, Aldens, and the ilk, while in America they can be found throughout various vintage resellers, as well as at stores such as Hickoree’s who sell deadstock models straight from France.  Granted, don’t expect to find them for lower-class prices anymore, as the hype has driven the cost of the jackets into territory that is borderline laughable.  They might’ve began as a cheap throw-on for the blue collar worker, but these days the cost of one jacket could certainly wipe out an entire week’s pay.  Guess that’s the industry for you.

Last week I was a bit overzealous in using the title “Winter Week,” so this week I’ve decided to go with the more moderate “Fall Week, Summer Edition” and focus on lightweight jackets. Seems a bit more reasonable.

I’m not sure if I’d consider it a mid-life crisis, or adolescence or what, but right now menswear is going through it’s confused years.  Everyday we see brands that were once heritage turning toward Neapolitan style tailoring, we find Japanese labels that are better at Americana than American brands because those American designers are preoccupied with channeling Scandinavian design.  We are in the midst of a melting pot full of influence where once conflicting styles are blended together without anyone batting an eyelash.  And then on the other hand there are brands like Outlier, a company that hits the sweet spot, never “reinventing” themselves, or trying to stay on trend, Outlier simply makes great clothes that you just can’t help but get behind.

Outlier began with a simple goal, they wanted to create a pair of pants for the bike commuter that rides into a traditional workplace each day.  A pair of pants that fit well and could take a beating but still looked appropriate for a workday.  They succeeded in creating what can only be described as a pair of tailored, technical, trousers that propelled Outlier into the spotlight.  That was back in 2008 and since then they’ve taken their unique design approach and applied it to everything from shirts to bags to shoes to create products that couple a thoughtful modern fit with revolutionary fabrics.

Over the past year I’ve also had the pleasure of meeting Abe Burmeister,Tyler Clemens, and Roy Dank, who together make up team Outlier, and every time I run into them I hear stories of cutting-edge materials and insane ideas.  Which is why when Roy emailed me over some info on their newest release, The Supermarine Anorak, I wasn’t the least bit surprised that it was one of the most amazing jackets I had ever seen.

The jacket has all the fundamentals of a solid anorak-a half-zip front, a large kangaroo pocket, a deep hood, but taking a closer look at the details, you can see the level of consideration put into the piece.  The half-zip is protected by an adjustable magnetic throat piece to add an extra layer of protection, the jacket is equipped with side vents to allow for breathability, there’s a rear stash pocket, and then of course there’s Outlier’s strongest suit: the fabric itself.

Supermarine cotton is the sort of fabric that has made Outlier legendary over the past few years.  It’s a highly breathable, water resistant, entirely windproof material that very few people use because it hasn’t seeped into the mainstream yet.  Outlier sources the fabric from Italy, and it’s a revised version of the original Supermarine cotton that the British military used during World War Two to outfit their fighter pilots in case they crash landed in the North Sea.  The material is lightweight, and practically silent compared to Gore-Tex and other so-called “technical” fabrics making it easy to toss on and move around in during those brisk fall days.

The Supermarine Anorak is an extraordinary piece, but it’s exactly what I’ve come to expect from Outlier.  Outlier is one of that brands that I consider to be true “designers.”  They aren’t simply tinkering with little details, or color, or patterns, they’re approaching each garment like a problem, taking an existing design and stripping it down to it’s foundation only to rebuild it again as something we have never seen before, and that’s why there’s really no other company like them out there today.

In 1985 Sid Mashburn, a twenty-five year old designer from Mississippi began working at a two year old New Jersey based retailer called J. Crew.  Both Mashburn and J. Crew would move on to become key players in fashion in years to come, but in the mid eighties they were simply two fresh faced entities trying to make a name for themselves in menswear.  Mashburn wasted no time and quickly began designing pieces that would help to define J. Crew’s aesthetic for years to come.  One of the first pieces that Mashburn designed was the Barn Jacket, which is, in my opinion, the quintessential fall coat.

Inspired by a classic hunting jacket shape, the Barn Jacket does it’s job in a perfectly no nonsense manner.  The simple front, water repellent shell, and dual angled pocket design give it clean, functional look without any fuss. Details such as a corduroy collar, wooden buttons, and muted colors make the coat mesh perfectly with the seasonal landscape.

For J. Crew the Barn Jacket represents the American heritage vibe that was so crucial to their early development.  Long before the trend’s latest resurgence, J. Crew was producing traditionally inspired garments that worked without ego or pretense.  The Barn Jacket was a representation of this, a well constructed jacket that was understated enough to work in almost any outfit, and at an incredibly low price point of only eighty-eight dollars.

The Barn Jacket is also a vital piece in the story of Sid Mashburn as a designer.  It’s remarkable  to look at what Mashburn has created today with his own menswear store in Atlanta and reflect on that by looking at the Barn Jacket from his early days. Even as a young man without much experience Mashburn was still able to design a piece that has endured for decades, a true testament to his dexterity as a menswear designer. We can see where Mashburn began, with a piece of classically inspired American design and trace how he has stayed true to that while still constantly reshaping his own approach to design.

Mashburn and J. Crew were certainly not the first to do a modern take on classic designs, but with the Barn Jacket they succeeded in creating a garment that took a step forward by alluding back to classic designs, therefore leaving a legacy as a great piece of design.

Unfortunately, the Barn Jacket is no longer in production at J. Crew, but vintage pieces can be found on Ebay and Etsy.

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