Jean-Paul Belmondo

Borsa1There’s this scene just over halfway through Borsalino, where Jean-Paul Belmondo’s character arrives at Alain Delon’s character’s newly acquired mansion and the two men reflect on their rapid rise from foot soliders to kingpins.  As Belmondo stepped out of his open air coupe, wearing a double-breasted overcoat brown with this faint windowpane check and is greeted by Delon in a satin shawl collar belted robe, that he’s wearing as a jacket (complete with pocket square,) I couldn’t help but stop and think that Borsalino might be the best dressed movie that no one ever talks about.  What strikes me though is that the film seems like it was specifically designed to be high scripture for the menswear community, right up there with Three Days of the Condor, Breathless and the Godfather Trilogy   Borsalino plays out like an amalgam of all these films combined, it’s French Nouvelle Vague, meets gangster flick, all wrapped up in meticulously tailored outfits complete with a bevy of Borsalinos.

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